Movie review: “Wild Party 3″ (Rigid East)

“Wild Party 3” is a sequel to the classic pair of Rigid East movies from the olden days – before subtitles, DVDs or the werewolf logo. The first two instalments are well loved by the aficionados, and they’re in for a treat with the new film that follows the old winning formula.

What we have is not complicated or innovative, but it has straightforward charm of the crime-and-punishment scenario. The five girls are amateur ballet dancers, who are relaxing after a strenuous dance class. There’s a group shower scene, followed by a party with wine, dancing (with clothes on and later, off), surreptitious joints and, when the alcohol kicks in, some unusually explicit lesbian caresses. Hands wonder, tongues get involved. The party becomes wilder than ever, until finally they exhaust themselves and doze off.

This is where the ballet master comes back to the studio, finding it strewn with nubile – and very naked – young bodies. He’s enraged: to him ballet is the highest art, and the dancers defile it with their behaviour. Disgusted, he sends them home to sleep off the alcohol, threatening with expulsion from the dance school. The following day, with the girls refreshed though not yet subdued, the master arrives with a cane, and proposes an ultimatum: they must submit to his punishment, or have the CCTV footage of their drug bacchanalia sent straight to the police, as well as get thrown out of the school. The response is easy to predict; all five girls elect to strip naked and receive their stripes.

In an unusual twist, the first girl to go over a convenient gym horse changes her mind a few strokes into the punishment. The threat of expulsion doesn’t impress her any more: when faced with the pain of the whipping, she chooses the punishment that’s less painful. The other four girls, however, take every single vicious stroke. There is much pleading, crying and dancing about – they are not tied down – but take the punishment they do. By the fifth girl – the veteran Lupus actress Ester Slaba – the end of the cane snaps off and goes flying, but this doesn’t prevent the irate ballet master from finishing the job. The canings are harsh, precise and competent, and clearly very painful.

The appeal of this film lies precisely in the fact that the girls are not strapped down for their punishment, and their reactions are beautifully individual and personal – from submissively staying in position and howling all the way through, to dancing and jumping after every stroke. You may think it can get repetitive, but it doesn’t. It’s just right.

“Wild party 3” is a neat, effective package of spanking cinema, which slots nicely into the Rigid East body of work.

Spanking Instructional Video

After I made yesterday’s post, about learning your spanking technique from spanking videos, I remembered that the video scene patriarchs Shadow Lane do, in fact, have an instruction DVD out, Spanking 101, described on their site as -

An instructional course in hands on Spanking Featuring demonstrations, dramatizations and helpful suggestions for people who want to learn more about proper spanking techniques and scene etiquette.

Mind you, I haven’t seen it, or spoken to anybody who has, so I can’t say how good or useful it is. But Tony and Eve of ShadowLane are experienced spankos, so I’m inclined to think it’s good stuff.

DVD review: ‘Hostel Lupus’ (Lupus pictures)

“Hostel Lupus” is one of the more bizarre production from Lupus pictures, but the top-notch spanking action and the beauty of the actresses more than make up for the overall cheerful insanity of the plot.

(See the trailer):

The Client and the Whoremaster

Set just after the fall of the Berlin Wall, the film focuses on the adventures of one kinky Westerner, introduced to us as Norbert (Alfi Grovio). Having heard some wild stories about the sort of delights Eastern European underworld can offer a well-heeled man, he sets off to Prague with a hope to find some corporal punishment action.

He has the address of a Shady Guy (Jan Zlatousty), and after several misadventures eventually convinced him to set up the kinky scene with some local girls. This introduction is quite drawn-out and detailed, but finally we do get to see the girls well be dealing with. We see the Shady Guy talk two young ladies into coming to his dungeon, with a promise of serious money in return for bending over for a punishment.

A young blonde (Renata Sukova – “Vote for EU”, “Close Encounters,” “Christmas Quiet”, “The Minimalist”, “Two-Faced”, “Internal Affairs”, “Friday the 13th” ), who had just been skilfully negotiating her fee, is suddenly uncertain. “Will it hurt?” she asks. And the Shady Guy dismisses her fears with an unconcerned shrug, “Oh, a little.” An experienced viewer knows that the girl will soon find out just how much of an understatement this is.

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DVD: “Black Velvet” (Lupus Pictures)

I should warn you at once that the following post about “Black Velvet” is a very personal reaction to watching it. As such, it gives away the rather surprising ending. It’s hardly the same as spoiling the last page of Harry Potter, but even so: if you want to be surprised, go and read the non-spoilery review Tom has already written on Punished Butts.

Actually, go over and read Tom’s review anyway, and then come back. *waits patiently*

Now then.

“Black Velvet” is a short piece: twenty minutes without the credits. As an example of the school fetish, it’s decidedly strange: the schoolgirls wear all black and white, and move about in a dreamlike haze; the teachers look like Dracula’s cousins; the story is impossible to pin-point in space or time – schools like this could never exist. Except…

Let’s go back to the start, though.
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DVD: Kidnapping of the Butcher’s Daughter (Lupus Pictures)

“Kidnapping of the Butcher’s Daughter” is another of Lupus’s historical productions describing an incident at a girls’ school. In a departure from now familiar territory, it is not the school of the “Headmaster’s Study” universe. Here corporal punishment, though common in the home, is no longer legal at schools, and so in the hour of need the Headmaster has to seek help from… I’m getting ahead of myself here; we should start from the beginning.

The film is not as sinister a production as the title suggests: it is closer to a farce than to a drama. It opens with a scene in a chic hotel room, in which an escaped schoolgirl Magda (Ester Slaba) is eating sweets and planning the incidentals of her marital bliss with her seducer Lexa (Maxmilian Schubert). They have eloped together, but they have no money to live on, and so they have come up with a cunning plan. Before escaping from her bedroom at school, Magda had left a note, which purported to come from her fictitious kidnappers. The note demanded that her father, a wealthy butcher, pays a ransom, and threatened with various dire tortures for Magda if he even thinks of going to the police. The plan looks seamless, and Magda is looking forward to buying a country villa with French windows. (more…)