Archive for Category: "Spanking Movies"
‘She’s spanked, Jim’: Science Fiction & Fantasy in Spanking Films
“Spanking Devils” from the other day made me want to sit down and write a list of spanking movies with a supernatural element in them.
Sci-fi, fantasy and fairy-tale spanking videos are not very common, perhaps for the same reason that paranormal erotica is not very common: even an ordinary spanking scenario is rather far-fetched. It requires strong suspension of disbelief, and an explanation to the viewer as to why the situation described is even vaguely realistic. Any more explanations and exposition on top of that to set up the paranormal element – and the viewers start to get frustrated, demanding that you get to the point: bare the bottoms and start to smack them.
That said, I’ve managed to recall a few full-length videos and short movies for sci-fi & fantasy geeks like me.
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- The Noise (Lupus Pictures)

A tribute to George Orwell: the System protects you (unless you’re a pretty girl, in which case you get flogged). (Reviewed here.)
- And For You I Will Come As Well (Lupus Pictures)

Death and the Mermen: they have a thing for whipped schoolgirls with nettles in their panties. (Reviewed here.) (Stills here.)
- The Warlock’s Revenge (Lupus Pictures)

A warlock falls for a bratty princess, and wreaks all sorts of havoc when she rejects him. (Stills here)
- The Fairy Tale (Rigid East):

The tale of princesses, chambermaids and magic rings.
- Fairy Tale: The Magic Purse (Lupus Pictures)

A wizard and a soldier instil good morals in a wealthy rural family
- The Fairy Gothmother (Northern Spanking)

If ever a fairy gothmother offers to fulfil three of your wishes… for the sake of your bottom, refuse.
- Goldilocks and the Three Bare Bottoms (Northern Spanking)

Cheeky fairy-tale madams have their bottoms warmed by their respective fairy-tale guardians.
- Pixie’s Fantasies (Punished Brats)

Fantasy and fairy-tales with a spanking twist (Reviewed here.)
- Space Girls (CP Entertainment)

Naughty little aliens crash their spaceship in the countryside, and have to be chased around by a law enforcement officer from outer space.
- The “Being Keith Jones” Trilogy (Spanking Epics)

The key to Mr Jones’s kinky inclinations is in his past lives, but a cheeky hypno-therapist will draw out the secret – and pay the price.
- The Ghost and Maggie Moore (Spanking Epics)

A ghost haunts a small hotel, causing all female guests to be spanked.
If the list is missing any videos, I’d like to find out about them – leave me a comment! (Though bear in mind that I’ve deliberately left out the “dream sequence” videos, because plotting there doesn’t, strictly speaking, have anything to do with the fantastic: just as in other genres, it serves to explain away some of the general unplausibility of the scenarios.)
When I started to compile this list, I hadn’t set out to make any conclusions, but it looks like people who make paranormal spanking videos can be said to have either or both of the following mindsets:
- A good story-line is very important to us; we’ll shoot a drawn-out exposition if we want to. Deal with it. Or fast-forward to the spanking. (Lupus Pictures, Spanking Epics).
- An original, quirky video and the sense of fun is worth the occasional overdose of campness. Where’s your sense of humour, anyway? (Northern Spanking, Punished Brats, CP Entertainment)
Oh yes, and don’t forget the best mindset of them all – even though I don’t know whether it applies to any of these esteemed companies:
- We’re geeks. You’re geeks. Join in.
DVD: “Pixie’s Fantasies” (Punished Brats)

“Pixie’s Fantasies” is a quirky, often funny spanking production written and directed by its star, the wonderful Amber “Pixie” Wells. It consist of four episodes, in each of which Pixie finds herself in a situation in one way or another enhanced by a magical element – whether a fairy-tale character shows up out of the blue, or whether the episode occurs wholly in a fairy-tale world, there is a constant fantastical flavour to all the happenings. The hard spankings Pixie has to suffer, however, are very solid and real.
Episode 1: No Place Like Home (12 minutes):
In this first episode Pixie is in trouble with her guardian (David Pierson), apparently for not doing as she is told. No sooner do the opening credits finish than the girl is over David’s lap for a hand-spanking over her blue pyjama bottoms, which soon turns into a bare-bottom spanking as he tugs her pyjamas down. If you have ever seen David’s work before, you know that he is a hard spanker, and this sequence is no different: the punishment turns Pixie’s whole bottom and the tops of her thighs bright red. She is very stoic; although she whimpers and occasionally kicks, she doesn’t try to twist away.
After David sends her to bed with a threat of the hairbrush or the belt if she misbehaves again, Pixie flops down onto her bed and lies on her tummy, with her pyjamas still down and her spanked bottom on display. She wishes she lived anywhere but here, and with this thought she falls asleep, hugging her pillow.
In her dream, she opens her eyes – still in the same room, in the same bed, but now dressed in a Dorothy pinafore, complete with a frilly petticoat. An irate David arrives, and it appears that she is in trouble for running away from home during a tornado season, and coming back spouting nonsensical stories about a man made of straw and a lion with an anxiety disorder. David swiftly turns her over his knee and spanks her first over her panties – pretty, and white, and covered with flirty ruffles – then the panties come down, and he continues the spanking on her bare bottom and thighs. Pixie takes her punishment with a characteristic stoicism, but when David produces a hairbrush and proceeds to wallop her really hard with it, she turns teary, and sniffly, and becomes very, very sorry. He bottom goes past crimson, to the stage where it’s turning white. David finally lets her up and tells her that he would be right back to take her to the woodshed for a doze of the razor strop – but thankfully for Pixie, she wakes up, now very happy to be home.
Episode 2: The Magical Mishap (7 minutes)
In this episode Pixie is a student in the school of magic. (more…)
DVD: The Noise (Lupus Pictures)
Overview: It isn’t any secret for the connoisseurs that Lupus have ambitions beyond those of a simple porn outfit. While they are always careful to please those of their viewers who fast-forward straight to whipped behinds, there is always a plot to entice and intrigue those of us who are harder to satisfy with a simple whack-ouch-whack-ouch sequence.
“The Noise” is a tribute to George Orwell’s novel “1984″, produced to mark the book’s 20th anniversary. The new incarnation of Big Brother is called the System, and every living person is its element. “The noise”, then, is human equivalent of interference on radio waves: thoughts and deeds that are in any way original, out of line, purposeless. The System, being a sum of its elements, is, essentially, a self-maintaining and self-protecting creation; therefore, when any element (read, a person) threatens it in any way, any “noise” must be eliminated, and the “element” trained back onto the straight and narrow path.
At the centre of the film there is a family of four: Mother, Father and two teenage daughters. (They have names, found in the end credits, but the names are not ever used during the course of the film, and so, to make things easier, we will call them Brunette and Redhead. Admit it… that’s what you’ll think of them as when watching the film, anyway.) They live in a flat with a minimum of furniture; you will notice an absence of any decorations, or even any chairs, as the System discourages sitting down. The obligatory piece of every room is a sensor on the wall, which functions as an eye of the System; it monitors movement, conversations, and even body temperature of everybody present in the room, checking it against accepted standards of behaviour. Whenever anything out of the ordinary happens in the room, the sensor goes into a state of alert and turns from green to red; we are left to wonder for a while as to what will happen if the situation doesn’t then receive a satisfactory resolution.
In this world colours are dull: all clothes are in shades of grey, all faces are pale, all food is either shapeless gruel or blocks of jellified substance. Everybody wears identical clothes, depending on their age and status: a school or home uniform for the girls, civilian uniform for the grown-ups, sharp militaristic clothing for the officers of the System. The only sources of vivid colours are flashing sensors of the walls, and defiantly bright hair of the red-headed daughter. (One wonders whether Ester Slabá was cast for the role of the rebellious daughter because of the decidedly rebellious colour of her hair, which refuses to correspond to the muted, System-friendly colour scheme.)
People in this world communicate chiefly with formulae and euphemisms, which carry a healthy whiff of Orwell. “The System protects us” is a greeting, lying about one’s school marks is “giving false information about one’s results in the System elements development institute”. A punishment is “corrective action”. Every day the family has a session where they repeat to each other a small catechism of the System formulae, such as “The Noise in the System can’t endanger its functions,” “System protects itself from the Noise”, and a number of sayings to go with just about any of the limited number of everyday activities. Any original expressions – particularly questions – are a cause for the sensors to go into a state of heightened alert.
Blow-by-blow: The film opens with a prologue. First, we see a dream-sequence of sorts: a little girl and her mother are picking daisies in the field; they will take them to the girl’s daddy. Then we are introduced to a short history of the System’s descent, including the fact that popular support at the time of its introduction was 99.98%.
DVD: “And For You I Will Come As Well” (Lupus Pictures)
This is a repost – with some edits, one of which is relevant and marked in italics – of my review previously published on the SPReview website.
“And For You I Will Come As Well…” from Lupus Pictures is an odd production. Your faithful reviewer has had to watch it several times in order to work out a coherent description of the film, which would reflect its kink value as well as its several oddities.
The main raison d’etre of this film is introduction of stinging nettles to the array of Lupus’ punishment implements. The use of nettles is perfectly authentic in Eastern Europe; they were/are often used as a cheap, ready instrument of immediate correction in rural areas. To further the believability of their scenario, Lupus have chosen to return to 1950 as their setting. The Lupus ethos tells us that in the 50s discipline in the family was immediate and brutal – hardly even believable to a modern viewer. They seem to wish to document this brutality as close to life as possible, often opting for unattractive – yet realistic – make-up, dialogues and CP techniques. They seem to count on the stark brutality and shock value to create weird Lupus-brand eroticism. Whether this works for you, is a question of personal preferences.
As though to distance themselves from the harshness of the story, they pile on surreal elements: the film is crawling with mythical creatures, which appear a propos nothing: there’s Death, a Water Sprite, a Devil, and some others. Their presence, it seems, is supposed to signal to the viewer that the rest of the story is meant to look just as surreal as all the super-natural elements.
The story, meanwhile, is one of peer pressure and traditional rustic values.
DVD: “Spanking Pixie Volume #1″ (Punished Brats)
The best thing about writing reviews of spanking films? Reviewer’s copies of everything, obviously. *g*
I’ve recently reviewed this “Punished Brats” DVD for Consumer’s Spanking Video News & Reviews (hereinafter SpReview), but I like having my writing neatly gathered in one place. So here it is again (with some edits, because I’m just that dedicated).
“Spanking Pixie Volume #1″ is a treat for all those who enjoy the magical dynamics existing on film between Pixie (she of innocent face and tough bottom) and David Pierson (he who thrashes the hell out of her) of the Punished Brats team.
It consists of three short films: “Cheers for Tears”, “Lazy Afternoon” and “Dinner Party”. When we say the films are short, you can be assured that they are not short of spanking action by any extent: in each one Pixie is bent over and being smacked within a minute from the titles sequence. If wall-to-wall (or titles-to-titles) action is your thing, you should definitely go for this. (If you like lengthy build-ups – hard luck, there are none here.)
Pixie (or Amber “Pixie” Wells, as she wishes to be billed nowadays) has a wonderful quality to her acting and demeanour: despite the bratty characters she plays and the amount of trouble she is capable of getting into, she comes across in her videos like a nice girl. The kind of girl you’d like to meet and have pizza with; the kind of person you’d be pleased with knowing. The reviewer has heard this opinion expressed independently by several people who don’t know each other, and happens to share it completely. Pixie is nice.
Pixie is also tough. If you’ve never seen one of her films, don’t be fooled by her pale, fragile complexion: this girl grits her teeth and takes her punishment, and very hard punishment it usually is. (Though not, it has to be said, the sort that leaves her severely marked or cut. If you measure the severity of video content by bruises it produces, perhaps it’s time to head elsewhere. However, if you can tell a hard stroke of a paddle when you see it – and, of course, if you enjoy seeing a hard paddling – Pixie is your girl.)
To look at the detailed synopsis of the entire DVD, head under the cut.



